fall back is the first single from the forthcoming debut lp on dfa records. the track is 8 minutes 30 seconds long. if you like factory floor, you will like this song. if you dont like factory floor, you will now. the b-sides are exclusive to vinyl and feature 3 separate loops taken from the single, created each by dom, gabe & nik. the lp is due for release may, 2013

limited nice price action, be fast
> zuckerhut< ist ein track der im letzten jahr erschienenen debüt-maxi der permanent vacation labelmacher tom bioly und benjamin fröhlich. hier kommen remixe ihrer lieblingsproduzenten john talabot und tbd. hinter tbd verbergen sich lee douglas (the stallions/dfa) sowie justin vandervolgen (!!!/warp und golf channel). tim sweeney (beats in space) und prins thomas stehen bereits drauf ...

nile delta is enigmatic dancefloor wizard joel dickson, the man responsible for last years channel/all this ep on cutters featuring cut copys ben browning. it was an essential building block of dj sets by the likes of holy ghost (dfa), aeroplane and the revenge. and now, as if inhabited by the spirits of the early house and techno pioneers, he has returned with a irresistibly potent dance anthem which excites as much as it surprises.

holy ghost! steps out of the studio with a new track, it gets dark. recorded during the sessions for their next lp (coming in 2013), this dark dancer comes as a limited edition of 600 on single-sided vinyl, featuring the original and an instrumental. comes with a free digital download card.

>we came to< is the 4th single by the crystal ark, the developing collaboration between gavin russom & viva ruiz. the song is a dance music rally cry, profound in its bare bones and raw production, and equally for the spanish/english lyrics, which praise ancestors and call out for liberation. the house and dub versions featured on the single were mixed alongside the album version, which will be released later this year as part of the self titled debut lp by the crystal ark on dfa records.

dfa has long been a favourite at the bitches hq and we were chuffed to be asked to remix one of our favourite acts, the rapture. we certainly were not shy and dove headfirst into this mix bringing out the guitars and the lovely beach boy-esque harmonies twisting it into an indie-electro-house dance floor stomper. its not for the wallflowers to be sure.dfa have released this goodie digitally, but as we bitches love our biscuits, we had to see it released on vinyl. and of course, we must ensure premium sound quality so this release is 45 rpm on 180 gram vinyl. happy listening.

full colour art and comes with a download code! dancefloor ready two track 12inch from krystal klear on all city! second time out on all city for krystal klear following on from his recent excursion on eglo, he ups the pace on this one giving us a two track 12 with a french house feel. the a side >were wrong< is a piano led house explosion with chopped vocals and hypnotic boogie grooves. combining with the flipside from the start - an infectious filter house slow builder – to make this the most dancefloor friendly record weve released. dj / press: capracara (dfa/soul jazz): love those old school house vibes!

shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

aura go rises, opens, rouses not unlike a soft light growing to illumination, a day slowly revealing itself. synths whisper and ring out – like bells marking an early hour – at the start, followed by a succession of other awakenings: a palpitating beat, vocalizations that repeat like undulations, percussive poundings and ringings. it all leads to full on, acid-infused, dance floor hypnosis, with producer dennis dj mcnany pushing polyrhythmic, almost tribal beats to the very front. with the addition of husky vocals from collaborator jee young sim – imagine siouxsie sioux crossed with planningtorock – the sound becomes something altogether, and altogether unexpectedly, gorgeous.

prinzhorn dance schools sophomore album, clay class, releases a quiet energy amongst a dark landscape, inarguably in tune with the downtrodden economic situations that have permeated modern life in the bands native britain, and conversely, along our shores. tobin prinz and suzi horn form a compelling duo whose shout-and-answer approach, paired with edgy and steady bass/drum patterns, achieves perfection in songs such as >seed, crop, harvest< and >your fire has gone out<. the album is constructed on the emblem of empty space, as songs such as >i want you< bridge the gap between musical minimalism and cold intimacy. the oscillation between starkness and warmth pays homage to the bands debut 2007 release, while also creating a modern, if not postmodern, musical snapshot of life across the pond, as well as in our own backyards.
includes full cd-version of this album.

the final single from the self-titled holy ghost! lp before alex & nick return to the studio, commencing work on lp2. the b-side features an amazingly retro extended 12 inch remix by dimitri from paris. limited to 300 stamped white label copies.

ey kids! dfa presents the smokin new rapture single sail away which has been remixed by such nu disco superstars like cosmic kids, cut copy & aeroplane! limited to 300. dont sleep.

lcd soundsystem bring >drunk girls< to a rock party, holy ghost! take them to the electro floor.

debut 12 inch on portlands 2510 records. an upbeat, anthemic house track with a big, ballsy male vocal and some dfa-styled beats. zac eno (future legends crew) does a remix along with two seriously deep classic chicago house styled remixes from emotion 2 emotion

there is a fantastic quality to gavin russoms work, an otherworldliness that is subtle yet palpable. its heard-or felt, more precisely-in all of his projects, including the crystal ark, black meteoric star and his numerous recordings with delia gonzalez. all of russoms sonic astral projections, with their textures and atmospheric layers, demonstrate his astounding production skills and modular wizardry. as dfas studio engineer, he was entrusted with the hefty task of maintaining the labels analog stockade. russom has built custom gear for the likes of james murphy, black dice and holy ghost!, has remixed artists including juan maclean, cut copy and caribou, and filled out the wonderful music of lcd soundsystem. so its no wonder that russoms newest solo outing, night sky, reflects the talent and experience accrued in all those roles with both stunning precision and audible clarity. add patience to the above list as well.

excellent discofied electro / rock , electropop album

6 remixe. spellwork im minor night time-remix, einer für lose it vom legendären produzenten mark pistel (hercules & love affair / meat beat manifesto), der andere vom dfa signing planningtorock, auf der b-seite mixe für beat and the pulse von berlins deep-house produzentin steffi (ostgut, get physical), kool thing und still going.

as a member of chairlift, the band he co-founded in 2006 and exited in 2010, aaron pfenning pulled double (and triple) duty – playing multiple instruments, writing songs, producing, and contributing vocals for the band s major label debut. that comfort with musical multitasking – and a cache of songs he d written that didnt fit his main project – made a new solo effort seem like the natural and logical next step to take. pfenning assumed the name rewards (a moniker hes actually used since 2003), spent the better part of last year touring with we are scientists, brandon flowers and warpaint, and released three broodingly romantic singles (>i used to<, >what a loser< and the achingly beautiful >two cardinals<) that made a host of listeners take sudden notice

***vinyl only*** some of you might know nycs marcos cabral from his work as half the duo runaway. together with jacques renault, runaway has stacked up a slew of releases and remixes over the past few years. the labels theyve worked for include, dfa, rekids, wurst music co, chinatown, im a cliche, crue-l, mule, endless flight, need want, fina, solar disco, aus, under the shade, plant music, turntable lab, spectral, playout, permanent vacation, nervous, ohm, tartelet, and their very own label on the prowl. their resume is very telling of their musical abilities. this year, marcos has decided to push the envelope even further and create something a bit more personally reflective…his new label hamilton dance records. just as the label artwork foreshadows, the presentation becomes blurred. edits, originals, creative sampling, its all lumped together with a certain vision. special dance-floor tools being the most obvious

after a flurry of winter releases, benoit & sergio return to dfa with the >principles< ep–beach boys techno for summer nights. following in the footsteps of their >boy trouble< and >where the freaks have no name< eps, benoit & sergios >principles< continues to explore underground pop sensibilities in the context of the big-room dance floor

there are certain songs that are so very good, the only singular word that accurately describes them is satisfying. >wait & see< is one of those: an aural pleasure that scratches an itch and hits the spot so precisely, it almost feels like self-denial not to listen on repeat. on holy ghost!s latest ep, the absurdly catchy single from their self-titled 2011 debut gets a makeover from three of dance musics titans: cfcf, kris menace and richard x. and while this batch of remixes finds the artists behind each track steering in new directions, each finds a way to capitalize on the irresistible danceability of the original.

walter merlin jones is a perfectionist. a presence in the house scene since the late 80s, the dj and producer has, over the years, created thousands of undoubtedly wonderful, but unfinished, songs – a staggering collection of musical bits that have fallen victim to his tendency to be his own worst critic. yet, that same perfectionism has yielded some of the most engaging dance music of the last decade, however scant – songs that are aural proof of his preference for quality over quantity. joness first dfa release, 2009s >ill keep on loving you/living without your love<, confirmed his commitment to this idea with subtle grace and slow, seductive rhythms. now, with graceful exit – which pairs joness talents with singer ellipsis, boston producer chas bronz and saxophonist jesse allen — the new orleans-raised artist continues to showcase his discerning ear, proffering music with a modern, evolved take on discos very best virtues.

still going is the combination of two nyc dance music leaders eric dunks & duncan of rub & tug and olivier spencer of manthraxx and mr. negative. even before its release, >still going theme< has been hailed by many top djs around the world and has been featured in prins thomas essential mix for the bbc?s radio 1. the track will soon be featured on the upcoming force of nature mix on mule musiq, as well as james murphy and pat mahoneys (lcd soundsystem) fabric live mix.

killer italo / new york disco meets detroit techno meets krautrock bomb in a dfa stylee! subways new 12 inch single is a startling cosmic marriage of influences – german electronic rock music from the 1970s (cluster, kraftwerk, neu, harmonium, ash ra tempel), 80s detroit science fiction techno (carl craig, juan atkins, jeff mills) and a hint of italian and european disco (baldelli meets cerrone, space, moroder and jean michel jarre).

this is brand new, and its just peter gordon under a different name - some of the best tracks from the cd retrospective, comes in a full picture sleeve with a big glossy poster. its really great stuff.

also brand new, just started shipping it last week. features foolish felix & canyons remixes

if ever there could be a dream team collective of folks involved in just one single, this would be it. together, brit pop legend jarvis cocker has joined creative forces with two of the most exciting & innovative french producers — pentile and pilooski, both collectively known as discodeine — and created the much buzzed about dance track of 2010.

tiagos >disambiguation< begins like an aural sea, with a surface made of synthesized swells that rise, fall and crest again. beneath these waves are briefly clangorous metallic noises, searing electro hisses, long-armed synth stretches, and a never ending beat. there are moments of understated beauty floating through this perfect marriage of disco and house, sounds that are there and gone: a bassline that stairsteps and synthetic strings that follow suit: playful keyboard melodies, and percussion provided by tiago himself, who fell in love with music when he learned to play drums as a kid. >nada a perder< (>nothing to lose<) shies away from the extravagance suggested by its name and instead feels relaxed – at least at its outset. against shape shifting synths and the sound of piano house, percussion takes a leading role here, including finger snaps and clanging cowbells. the energy builds to a peak but, even when things are at their most frenetic, this track never loses its studied composure. tiago mirandas remixes and releases have been issued on disco devil, italians do it better, rong music, ene, hands of time, eskimo and claremont 56. he is one half of dj duos slight delay, the sea power & change, and mendes & alçada, and also handles mutiple duties in the band gala drop. tiago has been djing seven hour sets almost every weekend for more than a decade at the infamous lux in lisbon, portugal.

taken from the paris-based bibi tanga & the selenites acclaimed album >dunya<, >be africa< gets the remix treatment from throne of bloods own populette and dfa co-founder and mastermind behind the always-dope loving hand moniker, tim goldsworthy.
this release will be strictly limited and available only on 12 inch!

if there is a driving motive at the heart of gavin russoms latest project, the crystal ark, it is to create music that communicates and compels physicality and movement. a listen to the projects first single, aptly named >the city never sleeps<, reveals a track as tireless as the title suggests, and russom as a visionary who crafts invocations to move. with his second release under the crystal ark moniker, russom is just as focused on eliciting movement, but deftly avoids repeating himself. unlike its hypnotic predecessor, which slow burned and subtly seduced listeners to physically respond, >the tangible presence of the miraculous< is explicit in its urgings û a composition of nakedly energetic and urgent inducements to dance.

tbd first made a noteworthy noise with the release of >what is this?<, their 2009 debut that found favor with critics, djs and audiences for both its seditious take on dance music – and avoidance of worn-out conventions – and sheer sublimity. it was fitting success for an outfit founded by two musicians who, bored by the sounds around them, set out to >create something new, fresh and not confined by restrictive genre pigeonholing.< on the heels of that pitch-perfect release, as well as remixes for luminaries including permanent vacation, runaway, 2020 soundsystem and populette, to name just a few, tbd – comprising rong musics lee douglas and ex-!!!/outhud bassist and producer justin vandervolgen – is back with a 12 inch of idiosyncratic new music.

produced by darryl james & fred mcfarlane of the dfa fame and mark simmons.

black van brings together the talents and vision of two well-known electronic producers: kris menace, whose discopolis and other releases obtained dancefloor ubiquity, and who has remixed a list of notable names, including depeche mode, royksopp, air, underworld and lcd soundsystem, and kowesix, one half of the >all-night-dance-party< dj duo moonbootica, whose own remix credits include such diverse names as mando diao, junkie xl and adam freeland.

the one-two kick drum beat that starts “in the dark of the night” functions as a bit of a tease. instead of merely establishing the languid pace of the track, it has the power of suggestion, and its stark nakedness raises the question of what will happen after the music fully launches. a few seconds later, a punch-drunk, flanging keyboard is the first clue that the listener is in for an off-kilter ride, the sauntering bassline that next appears adds a springy, funk bounce. but it’s the tripped-out, multi-tracked vocals of fernando miranda rios, aka michoacan, the producer behind this slow reveal, that give the song its peculiar, space-yvibe. it’s like david byrne with funk aspirations and a vaguely cosmic feel. the b-side remix, courtesy of italy’s clap rules, feels like more of a re-build. the song has been taken apart and put back together with brand new parts. instead of more relaxed, dazed funk at the core, it’s a glittery, disco-ball splattered track with glossy keys all around.

after five weeks of performing and traveling around brazil, long-term dfa stalwart gavin russom returned home with not only a love for the music he’d discovered there - carioca funk, atabaque drumming, tropicalia, south american-style rave.

mature music for the deeply minded. we are back in full force with new mixes of moon in taurus with a full string of talent! first up is halo & jamie thinnes from citydeep & seasons records with there signature revisited mixes that always take you on a musical journey through mature music for the deeply minded. they had the pleasure of calling on there good friend rocco from realtone records to work on this project, which needs no introduction!! we just know him as the man!! william reelsoul rodriquez from sole channel music is up next with those deep bass lines and soulful chords in his main mix and kills is with a nasty dub! a new face on the deep house front beppe gioia, with a dirty dub to work any room. mr. dfa himself, darryl james brings the heat with his signature sound!  deep house movement pushes on.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

disc 2 features mixes from dfa/lcd soundsystem main man juan maclean with a nyc style mix.

another one of those deeply musical, delightful house reworks by dfa. this time taking a recent tune from legendary souldiva patty l.

lisztomania is the first single of the much acclaimed new phoenix album wolfgang amadeus phoenix . kitsune have asked the new electro scene to remix it and this led to this great and exciting ep! new yorkers holy ghost! (dfa), with this great version of crystal fighters xtatic truth, put everyone in agreement - on their knees. la based classixx deliver a production thats evocative of a corvette in the sun, carefree, before it all gets dangerously heated up. quite convenient too when youre fifteen (at least spiritually) to french kiss for a whole five minutes. finally half of digitalism, der die das, brings the track to the dancefloor with an uplifted and breathtaking version.

after releasing some limited edition 12inchers on dissident - cage & aviary make their death from above debut on this new single, which is a re release of their now out of print 1 sided dissident 12inch now backed with a new cut suburban.

hot chip remixed by the dfa - astralwerks serves us one hot plate!

limited edition , contains rmxs by dfa & digitalism

after much consideration, rong music and dfa have compiled a (somewhat) new take on the early- 80s new york city no wave sound.

botox last november single on im a cliche, >babylon by car<, later licensed by dfa in january, gets a new life with unreleased remixes by padded cells richard sen, discodeine (alias pilooski & pentile), and dissident records invincible scum. supported by ivan smagghe, toby tobias, photonz, crowdpleaser, mylo, dj morpheus, matt walsh (turbo), riotous rockers ..

rong music teams up with the dfa label & what a stunning debut we get! drugged out beatles-esque melodies meet angry butthole surfers psychedelia. a 9 minute walter gibbons style disco mix from barfly is on the flip. also includes the aptly titled quick and painful

lcd compiled this 12 for the us market as all tracks are previously only available from uk only 12 releases from their >sounds of silver< full length